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Vol. 40 (2016)

View Vol. 40 (2016)

Published: 2016-12-21

Full Issue

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Articles and notes

Notes on the Manuscrito de Palacio II-1520, marginal additions and philological controversies

Fernando Cantalapiedra Erostarbe

9-52
- PDF (Español)
Towards a new subjectivity: the father figure in the sentimental genre and La Celestina

Anna Casas Aguilar

53-72
- PDF (Español)
Old and viva voce: Celestina by herself

Ximena Gómez Goyzueta

73-86
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Voyeurism and Shame: The Pleasure of Looking and the Pleasure of Being Looked at in La Celestina

Luis Fernando López González

87-116
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Melibea, Plácida and Serafina: three violent deaths in the early renaissance theatre

Laura Mier Pérez

117-134
- PDF (Español)
Likely reasons for Celestina being considered an anonymous work in the 16th and 17th centuries, and Rojas' work since the 19th century

Remedios Prieto de la Iglesia, Antonio Sánchez Sánchez-Serrano

135-158
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Prince Juan and Calisto: Reflections on a Historical Antecedent for a Literary Archetype

Samuel Sánchez y Sánchez

159-192
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Reviews

Raúl Álvarez Moreno, «Celestina» según su lenguaje, Madrid, Editorial Pliegos, 2015

José Luis Canet

195-200
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La Celestina by Carolina Calema (Teatro del Arte)

José Luis Gastañaga Ponce de León

201-204
- PDF (Español)
José Luis Gómez' La Celestina: four assessments

Joseph T. Snow, María Bastianes, Jéromine François, Emily C. Francomano

205-220
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Emilio de Miguel Martínez. A, ante, bajo, cabe, con «La Celestina». Salamanca: Ediciones Universidad de Salamanca, 2016

Luis F. López González

221-226
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Entrevista

Interview with Ángel Facio, stage director

María Bastianes

229-242
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Bibliography

Celestina: Bibliographical document (supplement number 38)

Devid Paolini

245-258
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