Dialectiques réalistes du discours critique: Barkin, Bazin, Desternes
DOI:
https://doi.org/10.7203/eutopias.0.18744Keywords:
Realismo, teoría de la representación, cine, Bazin, Barkan, Desternes
Abstract
During the forties and fifties, discourses about cinema were dealt with in terms of theory of representation. Italian neorealism catalyzed the criticalpositionswithinthedebateaboutrealism,yetItalianneorealist films were not the only ones to raise the question of the relationship between film and reality. If the notion of transparency was conside- red as the key concept within the discourse of realism, it is certainly does not provide an exhaustive explanation of it. By referring to three examples, we show here how the interest of the critical and theoreti- cal debate about realism in post-war France displays various forms to conceive of reality, representation and the role of the spectator. In this article we will examine three models, or ‘ideologies’, of representation.
Downloads
References
Althusser, Louis (1996) [1965], « Le Piccolo, Bertolazzi et Brecht. Notes sur un théâtre matérialiste », Pour Marx, Paris: La Découverte, pp. 29-52.
Andrew, Dudley (1983) [1978], André Bazin, Paris: Editions de l’Etoile.
Andrew, Dudley (with Hervé Joubert-Laurencin) (dir.) (2011), Opening Bazin. Postwar Film Theory & Its Afterlife, NewYork: OxfordUniversityPress [ed.fr., Ouvrir Bazin, Montreuil: Les éditions de l’œil].
Casetti, Francesco (1999) [1993], Les théories du cinéma depuis 1945, Paris: Nathan.
Bazin, André (1958-1962), Qu’est-ce que le cinéma?, 4 vol., Paris: Cerf.
— (1975), Le cinéma de l’occupation et de la résistance, Paris: UGE.
Ciment, Michel & Zimmer, Jacques (1997) (dirs.), La critique de cinéma en France. Histoire, anthologie, dictionnaire, Paris: Ramsay.
De Baecque, Antoine (1991), Cahiers du cinéma. Histoire d’une revue, vol.1, 1951-1959, Paris: Cahiers du cinéma.
Bertoncini, Marco (2009), Teorie del realismo in André Bazin, Milano: Edizioni Universitarie di Lettere Economia Diritto.
Brecht, Bertolt (1972), L’Age du cuivre, Ecrits sur le théâtre, I, Paris: L’Arche.
Derrida, Jacques (1972), La dissémination, Paris: Seuil (Tel Quel).
Gombrich, E.H. (1987) [1960], L’art et l’illusion. Psychologie de la présentation picturale, Paris: Gallimard.
Hjelmslev, Louis (1971) [1966], Prolégomènes à une théorie du langage, Paris: Minuit.
Jakobson, Roman (1921) [1965] « Du réalisme artistique », Théorie de la littérature, Paris: Seuil, pp. 98-107.
Joubert-Laurencin, Hervé (2014), Le sommeil paradoxal. Ecrits sur André Bazin, Montreuil: Éditions de l’œil.
Kirsten, Guido (2013), Filmischer Realismus, Marburg: Schüren.
Kofman, Sarah (1973), Camera obscura. De l’idéologie, Paris: Galilée.
Kracauer, Siegfried (2010) [1960], Théorie du film. La rédemption de la réalité matérielle, Paris: Flammarion.
Le Forestier, Laurent (2010), « La transformation Ba- zin ou Pour une histoire de la critique sans critique », 1895, 62, pp. 9-27 [http://1895.revues.org/3777].
Rosen, Philip (2011), «Belief in Bazin », Dudley Andrew (with Hervé Joubert-Laurencin) (dir.), Opening Bazin, New York: Oxford University Press, pp. 107-118.
Tortajada, Maria(2014),«RealismandReality.TheAr- guments of Cinema », Roberto Baranzini & François Allisson (dirs.), Economics and Other Branches
– In the Shade of the Oak Tree: Essays in Honour of Pascal Bridel, London: Pickering & Chatto, pp. 383-396.
— (2015) [1999] Le spectateur séduit. Le libertinage dans le cinéma d’Eric Rohmer et sa fonction dans une théorie de la représentation filmique, Paris: Éditions Kimé.
Downloads
Published
How to Cite
-
Abstract208
-
PDF (Español)54
Issue
Section
License
The authors conserve the copyright. All content published in EU-topías. Journal of interculturality, Communication, and European Studies are subject to the license Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license. The full text of the license can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
They may be copied, used, disseminated, transmitted and publicly displayed, provided that:
- The authorship and original source of the publication is cited (journal, publisher and URL of the work).
- They are not used for commercial purposes.
- The existence and specifications of this license of use are mentioned.
It is the responsibility of the authors to obtain the necessary permissions for images that are subject to copyright.
Similar Articles
Make a Submission
Language
Information
Keywords
