Based on true stories. Introducción

Authors

  • Charo Lacalle Universitat Autònoma de Barcelona
  • Nicola Dusi Università di Modena e Reggio Emilia

DOI:

https://doi.org/10.7203/eutopias.28.30109

Abstract

Introducción al Dossier.

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Author Biographies

Charo Lacalle, Universitat Autònoma de Barcelona

Charo Lacalle is a Full Professor of Journalism at the Faculty of Communication Science at the Autonomous University of Barcelona (UAB). She holds degrees in Journalism and Philosopy. As a Visiting Professor, she has taught classes and seminars in several European and American universities. She coordinates the research group OFENT (Observatory of Spanish Fiction and New Technologies) and the Spanish group of OBITEL (Ibero-American Observatory of TV Fiction), where she has developed various research projects on social construction of identities in television and internet. A semiologist and specialist in audiovisual analysis, Dr. Lacalle has numerous publications in books and prestigious journals specialized in media communications ( Critical Studies in Media Communication, International Journal of Digital Television, Comunicar, Communications: European Journal of Communications ). Her last book: (In)dignidades médiaticas en la sociedad digital (Cátedra).

Nicola Dusi, Università di Modena e Reggio Emilia

Nicola Dusi. PhD in Semiotics, he is Associate Professor of Media Semiotics at the University of Modena and Reggio Emilia (Italy), Department of Communication and Economics. He deals with the theory and analysis of film and television seriality, digital media and, in particular, the relations of translation between arts and media. His publications include the monographs Il cinema come traduzione (2003); Dal cinema ai media digitali (2014); Contromisure. Trasposizioni e intermedialità (2015); Capire le serie TV. Generi, stili, pratiche (written with G. Grignaffini, 2020).

References

Assmann, J. «Communicative and Cultural Memory». Cultural Memory Studies. An International and Interdisciplinary Handbook. Astrid Erll & Ansgar Nünning (Eds.) Berlin-New York: de Gruyter, 2008, pp. 109-118.

Atkinson, Paul & Barker, Richie. «AI and the social construction of creativity». Convergence 29, 2023, pp. 1054-1069. doi: https://doi.org/10.1177/13548565231187730

Barthes, Roland. The preparation of the novel. New York: Columbia University Press, (2011[2003]).

Barthes, Roland. «La mort de l’auteur». Le bruissement de la langue. Roland Barthes.

Paris: Seuil, 1984[1967], pp. 61-67.

Barthes, Roland. Le plaisir du texte. Paris: Du Seuil, 1973.

Brown, Tom & Belén Vidal, Eds. The biopic in contemporary film culture. New York: Routledge, 2014.

Cheshire, Ellen. BIO - PICS. A Life in Pictures. New York, Chichester: Wallflower Press, Columbia UP, 2015.

Compagnon, Antoine. «Qu’est-ce qu’un auteur?» Cours de l’université de Paris Sorbonne, 2002. www.fabula.org/compagnon

Corrigan, Timothy, «Biopics and the Trembling Ethics of the Real», A Companion to the Biopic¸ Eds. Deborah Cartmell & Ashley D. Polasek. Chichester (UK): Wiley-Blackwell, 2020, pp. 13-22:

Dusi, Nicola. «Intersemiotic Translation: Theories, Problems, Analysis». Semiotica, 206, 2015, pp. 181-205.

Dusi, Nicola. «History, Drama, Retelling: Intermedial Realism in Chernobyl». Chernobyl Calling. Narrative, Intermediality and Cultural Memory of a Docu-fiction. Eds. Nicola Dusi & Charo Lacalle. Thessaloniki: Punctum Semiotics Monographs (II), 2024, pp. 31-50. Download in open access: https://punctum.gr/

Dusi, Nicola & Giorgio Grignaffini. Capire le serie tv. Generi, stili, pratiche. Roma: Carocci, 2020.

Eugeni, Ruggero. Semiotica dei media. Le forme dell’esperienza. Roma: Carocci, 2010.

Grignaffini, Giorgio. «Chernobyl: A miniseries between fiction and reality». Chernobyl Calling. Narrative, Intermediality and Cultural Memory of a Docu-fiction. Eds. Nicola Dusi & Charo Lacalle. Thessaloniki: Punctum Semiotics Monographs (II), 2024, pp. 17-30. Download in open access: https://punctum.gr/

Greimas, Algirdas J., Courtés, Joseph. Sémiotique. Dictionnaire raisonné de la théorie du langage. Paris: Hachette, 1979.

Kartmell, Deborah & Ashley D. Polasek. «Introduction», A Companion to the Biopic¸ Eds. Deborah Cartmell & Ashley D. Polasek. Chichester (UK): Wiley-Blackwell, 2020, pp. 1-10.

Léger, Nathalie. «Editor’s preface». The preparation of the novel. Roland Barthes. New York: Columbia University Press, 2011[2003]. pp. xxii-xxiii.

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Published

2024-12-20

How to Cite

Lacalle, C., & Dusi, N. (2024). Based on true stories. Introducción. EU-topías. A Journal on Interculturality, Communication, and European Studies, 28. https://doi.org/10.7203/eutopias.28.30109
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Issue

Vol. 28 (2024)

Section

DOSSIER

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