55 days in Beijing. Cinema and colonialism

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https://doi.org/10.7203/CEFD.49.26265

Abstract

The Boxer War is part of what is know in China as The Century of Humiliation. The film shows western ignorance about chinese reality in an example of Abysmal Thinking (Sousa Santos) typical of colonial cinema.

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References

Adcock, Alison (2010) “The “Century of Humiliation”, Then and Now: Chinese Perception of the International Order”, en Pacific Focus, Vol. XXXV, nº 1 (april 2010): 1-33. 

 

Blaine, Allan (1984) Nicholas Ray. A Guide of References and Resources, Boston: G. K. Hall & Co.

 

Dalrymple, William (2022) El último mogol. Desperta Ferro.

 

Dalrymple, William (2021) La Anarquía. La Compañía de las Indias Orientales y el expolio de la India, Desperta Ferro.

 

De Lucas, Javier (2013) Cine: Lecciones de libertad. Universidad de Valencia.

 

Erice, Víctor y Oliver, Jos (1986) Nicholas Ray y su tiempo. Madrid: Filmoteca Española.

 

Mo, Timothy (1988) Una posesión insular, trad. José Manuel Álvarez Flórez y Angela Pérez, Barclona: Edhasa. 

 

Pelayo, Ángel (2019) “La globalización en Boaventura de Sousa Santos. El papel de la epistemología del sur y de América Latina”, en Derechos y Libertades, nº. 40: 109-150. 

 

Preston, Diana (2000) The Boxer Rebellion. The Dramatic Story of China¨s War on Foreigners that Shook the World in the Summer of 1900, New York: Walter and Company. 

 

Purcell, Victor (1963) The Boxer Uprising. A background study, Cambridge University Press, 1963. 

 

Ribaya, Benjamín (2014) “¿Por qué usar el cine para enseñar derechos humanos?”, en M. A. Ramiro M A (Ed.), Derechos, cine, literatura y comics. Cómo y por qué. Tirant lo blanch, Valencia: págs. 13-30.

 

Sousa Santos, Boabentura (2010) Descolonizar el saber, reinventar el poder, Montevideo: Trilce. 

 

Xiang, Lanxin (2014) The Origins of the Boxer War: A Multinational Study, Ed. New York: Taylor and Francis Group.

 

Wagner, Jean (1994) Nicholas Ray, trad. Jerónima García Bonafé, Madrid: Cátedra.

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Published

2023-06-22

How to Cite

Pelayo González-Torre, Ángel. (2023). 55 days in Beijing. Cinema and colonialism. Cuadernos Electrónicos De Filosofía Del Derecho, (49), 873–886. https://doi.org/10.7203/CEFD.49.26265
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5. Literature, cinema and Law

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