Pour un concept d’improvisation dans la réception de la musique

Abstract

Based on an idea of action in the reception of the arts, supported by authors such as Hans Robert Jauss and Jacques Rancière, and the experience of free improvisation in the 1960s, we will come to an idea of the listening moment, which In turn, it will lead to a characterization of the reception of improvised music, in particular, the result of free improvisation. This will give the musical reception the character of an "exchange between cultures of hearing", which in turn should lead to a reception that accommodates the unpredictability of the next sound, which would only be revealed to the listening "ready to participation".