« Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique

Abstract

Starting from a stationary state in order to feed a process, the idea of movement in music can affect both the sound material and the listening (the Hoerspiel...), both the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussy, Berg, Webern, Stravinsky, Stockhausen, Kagel, Ferrari, La Monte Young, Xenakis, Adams, De Chizy, De Mey, Trapani…), musicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world.