Linguistic transgression as poetic in the work of Rafael Ballesteros (1969-1986)
DOI:
https://doi.org/10.7203/diablotexto.4.15333Keywords:
Rafael Ballesteros, Spanish political transition, Poetic transgression
Abstract
Rafael Ballesteros (Málaga, 1938) has developed one of the most original and personal poetics of the Transition, in the works he published in those years, especifically in Jacinto, a secular, sacrilegious and iconoclastic “auto sacramental”. The conceptual and semiotic transgression of his poetry was based on the creation of his own poetic language. Its language is born of transgression of the standard system of the language and the adoption of a dialogical perspective. These presuppositions supposed the rupture with the monological patterns of the discourse of power that dominated the Spanish society in the last half century.
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