Intersectionist echoes in singer-songwriters
DOI:
https://doi.org/10.7203/diablotexto.10.21665Keywords:
Intersectionism, Fernando Pessoa, Singer-songwriter, Popular Music Studies
Abstract
Intersectionism, an avant-garde trend reified by Fernando Pessoa in his ‘Chuva Oblíqua’, sets out a creative strategy based on the superimposition of objective and subjective elements. The intersectionist principle has also been put to practice in other literary genres, such as the Hispanic singer-songwriter songs, be it in total affinity with Pessoa’s poems (as in Jorge Drexler’s ‘Mundo abisal’), or displaying some further development into a higher stage of intersectionism (Alberto Pérez’s ‘Nos ocupamos del mar’, and Silvio Rodríguez’s “Debo partirme en dos”). The coexisting musical, textual and performing dimensions inherent to songs allow for a special dynamism in the fragmentation of the subject and the presentation of multiple perspectives.
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Author Biography
María Esteban Becedas, Universidad Nacional de Educación a Distancia (UNED)
References
Alonso, Silvia et al. (2002). Música y literatura: Estudios comparativos y semiológicos. Madrid: Arco Libros.
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Discografía
Drexler, Jorge (2010). “Mundo abisal”. En Amar la trama, Warner Music Spain.
Pérez, Alberto (1981). “Nos ocupamos del mar”. En La mandrágora, Sony Music.
Rodríguez, Silvio [1968] (2006). “Fusil contra fusil”. En Érase que se era, vol. 2, SGAE.
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Rodríguez, Silvio (1978b): “La era está pariendo un corazón”. En Al final de este viaje…, SGAE.
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