Il mattatoio between Marcuse and patronage. Some keys to read the work of Pressburger
DOI:
https://doi.org/10.7203/eutopias.18.16839Keywords:
The slaughter house, radio play, Giorgio Pressburger, RAI, Herbert Marcuse, Luciano Prisco, consumer societyAbstract
This article presents the radio-play Il mattatoio (The slaughter house) by the writer and playwright Giorgio Pressburger. The analysis is focused on some main points of the theories of Herbert Marcuse (who is directly mentioned in the incipit of the piece) regarding consumer society and family. In this work, presented by RAI at the Prix Italia 1967 and aired on the Third Program on the 9th October of the same year, the author is able to describe with intelligence a situation in which Luciano Prisco, an alleged mobster and businessman native of Naples, owner of three slaughterhouses in New York, passes craftily over everything that is not connected to his own social and economic climbing. In such context, where family becomes only a way to manage power and business, in part like a clientelistic structure, with functions and roles decided by the main character, every aspect that is not connected to the protection and growth of his authority becomes useless and dangerous.
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References
Banfield, E. (2010), Le basi morali di una società arretrata, Bologna: Il Mulino.
Bourdieu, P. e Passeron J. C. (1972), La riproduzione - Elementi per una teoria del sistema scolastico, Rimini: Guaraldi editore.
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Marcuse, H. (2008), L’autorità e la famiglia, Torino: Giulio Einaudi editore.
— (1968), L’uomo a una dimensione - L’ideologia della società industriale avanzata, Torino: Einaudi - Nuovo Politecnico 11.
Pitt-Rivers, J. (1976), Il popolo della Sierra, Torino: Rosenberg & Sellier.
Pressburger, G. (1967), Il mattatoio - The Slaughter House, dattiloscritto nella collezione copioni, Mediateca RAI, presso sede RAI di Firenze.
Sahlins, M. (2014), «La reciprocità dell’essere», da La parentela: cos’è e cosa non è, Milano: Eleuthera.
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