A Genealogy of the Global in Art Exhibitions: the Gap between Westkunst and the Global Contemporary
DOI:
https://doi.org/10.7203/eutopias.0.18591Keywords:
Transnational dialogues, ethnoscapes, deterritorialisation, cosmopolitanism, New Internationalism, Interculturalism, Primitivism, afropolitanism.
Abstract
With Westkunst (Cologne, 1981) an exhibition that can be considered as the highest point of celebration of modernity according to the ol Western and international system– and The Global Contemporary and the Rise of New Art Worlds, (Karlsruhe, 2011) –a celebration of the “global paradigm”– the world of exhibitions experienced one of those epochal epistemological turns that can be called “rites of passage,” from a monocultural world to another world gradually becoming multicultural, intercultural, and globalised.
Downloads
Downloads
Published
How to Cite
-
Abstract209
-
PDF (Español)80
Issue
Section
License
The authors conserve the copyright. All content published in EU-topías. Journal of interculturality, Communication, and European Studies are subject to the license Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license. The full text of the license can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
They may be copied, used, disseminated, transmitted and publicly displayed, provided that:
- The authorship and original source of the publication is cited (journal, publisher and URL of the work).
- They are not used for commercial purposes.
- The existence and specifications of this license of use are mentioned.
It is the responsibility of the authors to obtain the necessary permissions for images that are subject to copyright.
Similar Articles
Make a Submission
Language
Information
Keywords
