On the rigour of storytelling. About Invasión (Hugo Santiago, 1969)
DOI:
https://doi.org/10.7203/eutopias.21.21263Keywords:
Bioy Casares, Jorge Luis Borges, Hugo Santiago, fantastic cinema, cinema and the city, epic.Abstract
The article analyses a film transposing a substantial part of Jorge Luis Borges’ universe while casting a new light on notions such as «political cinema», «epic» and «fantastique». A literary universe meets a refined vision of the art of cinematography derived directly from the teachings of Robert Bresson to propose an improbable encounter between the most refined asceticism and the strictest cultism. Invasión demands a spectator who does not shy away from understanding that the most classic is the most modern, and that transfers between the literary and cinematographic universes are only possible if one has first comprehended what is shared by both worlds. Invasión, a modern classic, is a film that is as European as it is Latin American, as porteño as it is universal.
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Bibliografía esencial sobre Invasión
Textos sobre Invasión
Bioy Casares, Adolfo, Borges (edición al cuidado de Daniel Martino), Barcelona, Destino, 2006.
Cozarinsky, Eduardo, «Invasión», en Borges en/y/sobre cine, Madrid: Fundamentos, 1981, pp. 123-127.
Oubiña, David, «Monstrorum Artifex: Borges, Hugo Santiago y la teratología urbana de Invasión», en Variaciones Borges, n.º 8, 1999, pp. 69-81.
Oubiña, David, «En los confines del planeta (el cine conjetural de Hugo Santiago)», en Filmología. Ensayos con el cine, Buenos Aires: Manantial, 2000, pp. 207-220 [también incluido en El cine de Hugo Santiago, pp. 76-84].
Oubiña, David (compilador), El cine de Hugo Santiago, Buenos Aires: Ediciones Nuevos Tiempos, 2002.
Oubiña, David, «El espectador corto de vista: Borges y el cine», en Variaciones Borges, n.º 24, 2007, pp. 133-152.
Entrevistas con Hugo Santiago
Badou, Jacques, CALAMA, Alain y GAYOT, Paul, «Invasion. Entretien avec Hugo Santiago», en Borges et le cinéma (Calama y Gayot, eds.), Reims: Maison de la Culture André Malraux, s/f.
Langlois, Gérard, «Le fantastique, une manière de percer le réel», en Les lettres françaises, 27/I/1971.
Marcorelles, Louis, «Invasion: le grand enterrement de Buenos Aires», en Le monde, 21/I/1971.
Oubiña, D. y Aguilar, S., «Partituras», en El guion cinematográfico (Oubiña y Aguilar Comps.), Buenos Aires: Paidós/Universidad del Cine, 1997.
Textos de Jorge Luis Borges
Borges, Jorge Luis, Adolfo Bioy Casares. Los orilleros / El paraíso de los creyentes, Buenos Aires: Losada, 1955.
Borges, Jorge Luis, Adolfo Bioy Casares, Hugo Santiago, Les autres, París: Christian Bourgois, 1974.
Borges, Jorge Luis. Obras completas, 4 vols., Barcelona: EMECÉ, 1989–1996.
Borges, Jorge Luis. Obras completas en colaboración, Barcelona: EMECÉ, 1997
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