Music Journalism, Counterculture, and the Rock Way of Life in the Writing of Lester Bangs

Authors

DOI:

https://doi.org/10.7203/eutopias.25.26306

Keywords:

Journalism, pop discourses, rock culture, rock writing.

Abstract

This paper offers a presentation of the written work of the North American rock critic Lester Bangs and an analysis of one of the pieces that he published in music magazines, “James Taylor Marked for Death”. From the study of this text, the ideological, structural, discursive and stylistic principles that gave rise to a new genre of creative expression are formulated, which surpasses journalistic genres and hybridizes cultural and aesthetic discourses in what can only be called “rock wrinting”.

Downloads

Download data is not yet available.

Author Biography

Juan Carlos Fernández Serrato, Universidad de Sevilla, Facultad de Comunicación

Juan Carlos Fernández Serrato is an Associate Professor of Communication and Information Theory, member of the Department of Journalism I at the University of Seville (Spain). He has a PhD in Communication and Culture (University of Seville), a PhD in Theory of Literature and Arts and Comparative Literature (University of Granada) and a degree in Hispanic Philology (UNED). He has been a visiting professor at the universities of Geneva and Austral de Chile. He has been Research Director at the Audiovisual Council of Andalusia and he currently directs the research on Critical Theory of Communication of the COMPOLITICAS Research Group (University of Seville). His publications include: Hacia una teoría del pop (Madrid, Cátedra, 2022) and La mirada de Orfeo: “Entre” poesía e imagen en los iconotextos de Jenaro Talens (Gerardo Diego International Prize for Literary Research, 2015. Valencia, Pre-Textos, 2016).

References

Bangs, Lester. Pychotic Reactions and Carburetur Dung. Nueva York: Anchor Books-Random House, 2003 (1987a). 

 

Bangs, Lester. Mainlines, Blood Feasts and Bast Taste. A Lester Bangs Reader. Nueva York: Anchor Books, 2003.

 

Christgau, Robert. «Writing about Music is Writing First». Popular Music, Vol. 24, 2005, No. 3, pp. 415-421.

 

Crane, Jonathan. «Psychotic Reactions and Carburetor Dung by Lester Bangs; Greil Marcus; and The Aesthetics of Rock by Richard Meltzer». Popular Music, vol. 7, 1988, No. 3, pp. 348-351.

 

DeRogatis, Jim. Lt it Blurt. The Life & Times of Lester Bangs, America’s Greatest Rock Critic. Nueva York: Broadway Books, 2000.

 

Genette, Gérard. Ficción y dicción. Barcelona: Lumen, 1993 (1991).

 

Hagan, Joe. Sticky Fingers. La vida y época de Jan Wenner y la revista Rolling Stone. Madrid: Neoperson, 2018 (2017).

 

Kristeva, Julia. Semiótica, 1. Madrid: Fundamentos, 1981 (1969).

 

López Hidalgo, Antonio. La columna: Periodismo y literatura en un género plural. Salamanca: Comunicación Social, 2012.

 

López Hidalgo, Antonio. y Fernández Barrero, María Ángeles. Periodismo de inmersión para desenmascarar la realidad. Salamanca, Comunicación Social, 2013.

 

Roszac, Theodor, The Making of a Counterculture. Reflections on Technocratic Society and Its Youthful Opposition. New York: Anchor Books, 1969.

 

Sheinbaum, John J. «Mainlines, Blood Fest, and Bad Taste: A Lester Bangs Reader by John Mortland». Notes, Second Series, Vol. 60, 2004, No 4, pp. 956-958.

 

 

Downloads

Published

2023-07-18

How to Cite

Fernández Serrato, J. C. (2023). Music Journalism, Counterculture, and the Rock Way of Life in the Writing of Lester Bangs. EU-topías. A Journal on Interculturality, Communication, and European Studies, 25, 39–52. https://doi.org/10.7203/eutopias.25.26306
Metrics
Views/Downloads
  • Abstract
    146
  • PDF (Español)
    134

Issue

Vol. 25 (2023)

Section

PERSPECTIVES

License

The authors conserve the copyright. All content published in EU-topías. Journal of interculturality, Communication, and European Studies are subject to the license Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license. The full text of the license can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>

They may be copied, used, disseminated, transmitted and publicly displayed, provided that:

  • The authorship and original source of the publication is cited (journal, publisher and URL of the work).
  • They are not used for commercial purposes.
  • The existence and specifications of this license of use are mentioned.

It is the responsibility of the authors to obtain the necessary permissions for images that are subject to copyright.

Metrics

Similar Articles

<< < 1 2 3 4 5 6 7 8 9 > >> 

You may also start an advanced similarity search for this article.