Argentina, Estocolmo, Netflix y el síndrome de la identidad perdida
DOI:
https://doi.org/10.7203/KAM.11.12208Abstract
Aunque la trama principal de la primera serie policial argentina en Netflix Estocolmo: Identidad perdida (2016) gira alrededor de un referente globalizado—la trata de mujeres-- este thriller noir es una producción cultural del neoliberalismo en como manipula el trauma del pasado dictatorial (1976-1983) a través del uso de los símbolos asociados con la memoria histórica argentina. Además, a través del prisma del síndrome de Estocolmo, la serie propone que las mujeres disfrutan y son cómplices de su propia opresión.
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