The Eurosceptic Arts: A Proposal Regarding the Critical and Aesthetic Acquis of the EU

Authors

  • Luis Martín Estudillo University of Iowa

DOI:

https://doi.org/10.7203/eutopias.0.18372

Keywords:

European Union, art, literature, Euroscepticism, critique, crisis, EU acquis

Abstract

This article discusses the critical and political potential of the artistic cor- pus that engages the issue of European integration. Questioning and re- assessing the European Union (EU) in creative terms is vital for the future of the transnational organization as it struggles to connect with its people. Many works of art of the last few decades can be seen as indexes that point to the root of popular discontent with the EU and offer unexplored answers to current societal challenges. Recent pieces exude a sense of urgency, manifesting deep concern about the European integration project. One could say that they propose a constructive sort of Euroscepticism. In parallel to the existing EU acquis, this article suggests the systematic consideration of the Union’s critical and aesthetic acquis, which should prove to be a useful tool for the improvement of the European project and for fostering the citizenry’s awareness of it through a new legitimizing narrative. 

Downloads

Download data is not yet available.

References

Enzensberger, Hans Magnus (2012), El gentil monstruo de Bruselas o Europa bajo tutela, trad. Richard Gross, Barcelona: Anagrama. 

Gielen, Pascal (2015), “Introduction: There’s a Solution to the Crisis”, en No Culture, No Europe: On the Foundation of Politics, ed. Pascal Gielen, Amsterdam: Valiz. 9-15. 

Goytisolo, Juan (2007), “Nuevos ricos, nuevos libres, nuevos europeos”, Obras completas. Vol. 6. Ensayos li- terarios (1967–1999), Barcelona: Galaxia Gutenberg. 

Greenblatt, Stephen (1989), “Towards a Poetics of Culture”, en The New Historicism, ed. Harold Veeser, Londres: Routledge. 1 – 14. 

Guibernau, Montserrat (2011), “The birth of a united Europe: on why the EU has generated a ‘non-emotio- nal’ identity”, Nations and Nationalism 17(2): 302 – 315. 

Innerarity, Daniel (2017), La democracia en Europa. Una filosofía política de la Unión Europea, Barcelona: Galaxia Gutenberg. 

Martín-Estudillo, Luis (2018), The Rise of Euroskepticism. Europe and Its Critics in Spanish Culture, Nashville: Vanderbilt University Press.

Mouffe, Chantal (2013), Agonistics: Thinking the World Politically. Londres: Verso. 

Müller, Jan-Werner (2011), Contesting Democracy: Politi- cal Ideas in Twentieth-Century Europe, New Haven: Yale University Press. 

Nussbaum, Martha (2016), Not For Profit: Why Democracy Needs the Humanities, Princeton y Oxford: Princeton University Press. 

Rancière, Jacques, (2004), The Politics of Aesthetics: The Distribution of the Sensible, trad. Gabriel Rockhill, Londres y Nueva York: Continuum. 

Sánchez La Chica, Pablo, y Antonio Masip Hidalgo (2012), Europeos pero incorrectos, Madrid: Catarata. 

Taggart, Paul, y Aleks Szczerbiak, “The Party Politics of Euroscepticism in EU Member and Candidate States.” SEI Working Paper No.51Opposing Europe Re- search Network Working Paper No. 6. Brighton: Sussex European Institute, 2002. 

Zambrano, María, La agonía de Europa (2000), ed. Jesús Moreno Sanz, Madrid: Trotta 

Published

2020-09-28

How to Cite

Martín Estudillo, L. (2020). The Eurosceptic Arts: A Proposal Regarding the Critical and Aesthetic Acquis of the EU. EU-topías. A Journal on Interculturality, Communication, and European Studies, 6, 139–146. https://doi.org/10.7203/eutopias.0.18372
Metrics
Views/Downloads
  • Abstract
    140
  • PDF (Español)
    45

Issue

Section

DOSSIER

Metrics

Similar Articles

<< < 4 5 6 7 8 9 10 11 12 13 > >> 

You may also start an advanced similarity search for this article.