Deconstructing narrativity on the screen Re-reading Don Quixote in Albert Serra’s Honor de cavalleria (Spain, 2006)

Authors

  • Jenaro Talens Université de Genève / Universitat de València

DOI:

https://doi.org/10.7203/eutopias.20.19385

Keywords:

Albert Serra, Honor de cavalleria, Cervantes, El Quijote, interdiscursive translation, adaptation, rewriting.

Abstract

This article deals with the reading carried out by the Catalan filmmaker Albert Serra in his film Honor de cavalleria of El ingenioso hidalgo Don Quijote de la Mancha. It analyzes the text in terms of interdiscursive translation/rewriting by arguing that what is adapted is not so much the plot as the enunciative logic that underlies the Cervantine novel.

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Author Biography

Jenaro Talens, Université de Genève / Universitat de València

Jenaro Talens is Professor Emeritus of Hispanic and Comparative Literatures and European Studies at the University of Geneva and of Audiovisual Communication at the University of Valencia. Estudi General. He is the author of an extensive poetic work translated into more than fifteen languages, of twenty books on Music, Semiotics, Literary and Film Theory, and has translated authors such as Petrarch, Shakespeare, Goethe, Hölderlin, Trakl, Rilke, Brecht, Beckett, Basho, Júdice, Heaney, Walcott or Zach, among others. Among his recent publications, the poetry collections Lo que los ojos tienen que decir and El sueño de Einstein , and the essays Carrefour Europe (co-ed. with Silvio Guindani) and El relato audiovisual. Efectos de sentido y modos de recepción (written in collaboration with Pilar Carrera).

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Published

2020-12-30

How to Cite

Talens, J. (2020). Deconstructing narrativity on the screen Re-reading Don Quixote in Albert Serra’s <i>Honor de cavalleria</i> (Spain, 2006). EU-topías. A Journal on Interculturality, Communication, and European Studies, 20, 7–16. https://doi.org/10.7203/eutopias.20.19385
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Issue

Vol. 20 (2020)

Section

WIDE ANGLE

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