Hyperbaton in the translation into Spanish of opera libretti in Italian
Keywords:
Libretto, translation for performing arts, hyperbaton, rhetoric, opera
Abstract
The opera libretto stands as one of the main textual typologies in which Italian is usually the source language. Nevertheless, translations into Spanish of these kinds of texts often show interpretative or sense distortions. In this study, after a brief introduction devoted to the traductological problems of this genre, the main consequences of mistranslations into Spanish of Italian utterances with hyperbatons in opera libretti are analysed.
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Author Biography
Francisco José Rodríguez Mesa, Universidad de Córdoba
Profesor sustituto interino a tiempo completo desde 2013 en el Área de Filología Italiana (Dpto. de Ciencias del Lenguaje) de la Universidad de Córdoba
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Published
2017-07-03
How to Cite
Rodríguez Mesa, F. J. (2017). Hyperbaton in the translation into Spanish of opera libretti in Italian. Zibaldone. Estudios Italianos, 5(2), 23–39. Retrieved from https://pasquin.uv.es/index.php/zibaldone/article/view/10116
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Dossier monografico
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